{"id":1104,"date":"2017-10-04T12:54:08","date_gmt":"2017-10-04T12:54:08","guid":{"rendered":"http:\/\/cusjc.ca\/25hour\/?p=1104"},"modified":"2017-10-04T18:21:36","modified_gmt":"2017-10-04T18:21:36","slug":"whitney","status":"publish","type":"post","link":"https:\/\/cusjc.ca\/25hour\/index.php\/2017\/10\/04\/whitney\/","title":{"rendered":"Whitney"},"content":{"rendered":"<p>It\u2019s more than photography of nature and earthly things. It\u2019s art that has the ability and<br \/>\npotential to influence and encourage the audience to think critically about their own<br \/>\nlives and the issues with consumerism, and our overall impacts on the environment.<br \/>\nWhitney Lewis-Smith is a photo-based artist. She uses an old camera, old photographic<br \/>\nprocesses requiring a dark room, and taxidermy to tell her stories and share the impacts<br \/>\nof globalization in a unique and visual way. In a world where pretty much everything is<br \/>\ninstantaneous, the audience might assume her photographs are equally instantaneous.<br \/>\nWhat they don\u2019t know is that Whitney\u00a0would easily test their patience if they followed<br \/>\nher along on a day of shooting.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-1104 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/cusjc.ca\/25hour\/index.php\/2017\/10\/04\/whitney\/group4-camera\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"199\" src=\"https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-camera-300x199.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-1106\" srcset=\"https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-camera-300x199.jpg 300w, https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-camera-768x509.jpg 768w, https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-camera-1024x678.jpg 1024w, https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-camera-207x136.jpg 207w, https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-camera-140x94.jpg 140w, https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-camera.jpg 1232w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1106'>\n\t\t\t\tShe shoots with an 8&#215;10 camera, which requires shooting with a very low ISO, typically 1\nor 2. This means and sudden movements in the photo would result in a blur, so Whitney\nmust use dead or inanimate objects in her photography. This is where taxidermy comes\ninto play.\n\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/cusjc.ca\/25hour\/index.php\/2017\/10\/04\/whitney\/group4-prints\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"199\" src=\"https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-prints-300x199.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-1107\" srcset=\"https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-prints-300x199.jpg 300w, https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-prints-768x509.jpg 768w, https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-prints-1024x678.jpg 1024w, https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-prints-207x136.jpg 207w, https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-prints-140x94.jpg 140w, https:\/\/cusjc.ca\/25hour\/wp-content\/uploads\/2017\/10\/group4-prints.jpg 1232w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1107'>\n\t\t\t\tShe has a bunch of prints kept in her room, rolled up together neatly to ensure they\ndon\u2019t get ruined. Here, Whitney unrolls them to show off their detail once they are\nblown up. She recalls someone has a photograph of hers hanging in their kitchen, and\nthat they\u2019ve told her they notice something new about it every time they look at it.\nThere is so much detail, and it is beautifully displayed in these huge prints.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p><iframe loading=\"lazy\" title=\"Whitney - 25th Hour - Fall 2017\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/W5kdcb_IFL8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>Credits<br \/>\n<\/strong><\/p>\n<p>Produced, edited and filmed by Sandrine Murray, Sidney Weiss and Jasmine Sikand.<\/p>\n<p>Special thanks to Whitney Lewis-Smith.<\/p>\n<p>Music by Purple Planet, \u201cTroposphere\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s more than photography of nature and earthly things. It\u2019s art that has the ability and<br \/>\npotential to influence and encourage the audience to think critically about their own<br \/>\nlives and the issues with consumerism, and our overall impacts on the environment.<br \/>\nWhitney Lewis-Smith is a photo-based artist. She uses an old camera, old photographic<br \/>\nprocesses requiring a dark room, and taxidermy to tell her stories and share the impacts<br \/>\nof globalization in a unique and visual way. In a world where pretty much everything is<br \/>\ninstantaneous, the audience might assume her photographs are equally instantaneous.<br \/>\nWhat they don\u2019t know is that Whitney\u00a0would easily test their patience if they followed<br \/>\nher along on a day of shooting.<\/p>\n","protected":false},"author":1,"featured_media":1105,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[99,121],"tags":[14,15,46,8,141,142],"class_list":["post-1104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-99","category-fall-episode-1-profiles","tag-25th-hour","tag-carleton-journalism","tag-carleton-university","tag-city-of-ottawa","tag-photographer","tag-taxidermy"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Whitney - Twenty-Fifth Hour<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cusjc.ca\/25hour\/index.php\/2017\/10\/04\/whitney\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Whitney - Twenty-Fifth Hour\" \/>\n<meta property=\"og:description\" content=\"It\u2019s more than photography of nature and earthly things. It\u2019s art that has the ability and potential to influence and encourage the audience to think critically about their own lives and the issues with consumerism, and our overall impacts on the environment. Whitney Lewis-Smith is a photo-based artist. She uses an old camera, old photographic processes requiring a dark room, and taxidermy to tell her stories and share the impacts of globalization in a unique and visual way. In a world where pretty much everything is instantaneous, the audience might assume her photographs are equally instantaneous. 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