{"id":23,"date":"2019-04-20T17:01:13","date_gmt":"2019-04-20T17:01:13","guid":{"rendered":"https:\/\/cusjc.ca\/mrp\/blacknoise\/?page_id=23"},"modified":"2019-05-15T14:00:46","modified_gmt":"2019-05-15T14:00:46","slug":"part-5-the-opus","status":"publish","type":"page","link":"https:\/\/cusjc.ca\/mrp\/blacknoise\/part-5-the-opus\/","title":{"rendered":"Part 5: THE OPUS"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;3.22.3&#8243;][et_pb_fullwidth_header title=&#8221;THE OPUS&#8221; subhead=&#8221;\/\u02c8\u014dp\u0259s\/: 1. any artistic work, especially one on a large scale; 2. early 18th century: from Latin, literally \u2018work\u2019&#8221; header_fullscreen=&#8221;on&#8221; _builder_version=&#8221;3.21&#8243; title_font=&#8221;Montserrat|200|||||||&#8221; title_font_size=&#8221;80px&#8221; content_font=&#8221;||||||||&#8221; subhead_font=&#8221;Oswald|200|||||||&#8221; subhead_font_size=&#8221;24px&#8221; subhead_letter_spacing=&#8221;1px&#8221; subhead_line_height=&#8221;1.4em&#8221; background_image=&#8221;https:\/\/cusjc.ca\/mrp\/blacknoise\/wp-content\/uploads\/sites\/22\/2019\/04\/opus_header_full.jpg&#8221; text_shadow_style=&#8221;preset3&#8243; custom_css_subtitle=&#8221;width: 700px;&#8221;][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.22.3&#8243; custom_padding=&#8221;50px|0px|0|0px|false|false&#8221;][et_pb_row _builder_version=&#8221;3.22.3&#8243;][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.0.47&#8243;][et_pb_text _builder_version=&#8221;3.22.5&#8243; text_font=&#8221;|300|||||||&#8221; custom_padding=&#8221;||0px|||&#8221;]<\/p>\n<p>As a student in the genetics program at Western University, Chris Oday says he wasn\u2019t the best when it came to the hands-on work.<\/p>\n<p>\u201cI would do experiments badly,\u201d he says. \u201cI was like a liability in the lab.\u201d<\/p>\n<p>But at an R&amp;B showcase at The Baby G on Dundas Street in Toronto, Oday demonstrated that his hands are quite adept when holding a guitar.<\/p>\n<p>It was the 22-year-old\u2019s second time performing at the Toronto R&amp;B Sounds show. He didn\u2019t dedicate his entire set to the genre, deciding instead to pay homage to John Mayer with a cover and featuring some of his own pillowy, guitar-laden originals.<\/p>\n<p>He seemed comfortable on stage, cracking jokes into the small, crowded space in front of him.<\/p>\n<p>The Mississauga native has only been performing live for about a year at this point and his budding career started with a drunken application to a singing competition at Western. Though his competitors were more technically skilled, he says he was shocked when he \u201csomehow\u201d won.<\/p>\n<p>Since then, he\u2019s been working on building his identity as an artist through live performances like the R&amp;B showcase and by working as a guitarist for Del, an Oakville-based rapper.<\/p>\n<p>His relationship with music started, however, in his youth being raised by a Nigerian father and a Nigerian-Barbadian mother. He remembers listening to Alicia Keys in his parents\u2019 car so often he memorized the track list. Oday says his parents initially put him in piano lessons and he didn\u2019t take to it, saying the rote memorization didn\u2019t gel with him.<\/p>\n<p>It was only about three years ago when he started playing the guitar, teaching himself to play by ear. Now, he\u2019s working on his songwriting process.<\/p>\n<p>\u201cI&#8217;m an instrumentalist first. I\u2019ll play guitar or piano and then &#8230; I&#8217;ll start with some melody,\u201d he says. \u201cIt just needs to hit your soul.\u201d<\/p>\n<p>Oday says that while not all of his musical obsessions inform his sound, some of them include John Mayer, of course, but also R&amp;B\/soul artists like Anderson .Paak and Masego, pop artist Billie Eilish and rappers like Kendrick Lamar and J. Cole.<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.22.5&#8243; width=&#8221;100%&#8221;][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.0.47&#8243;][et_pb_code _builder_version=&#8221;3.22.5&#8243;]<iframe loading=\"lazy\" width=\"100%\" height=\"600\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/577018743&#038;color=%23ff5500&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true&#038;visual=true\"><\/iframe>[\/et_pb_code][\/et_pb_column][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=&#8221;2px||0px|||&#8221; _builder_version=&#8221;3.22.3&#8243;][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.0.47&#8243;][et_pb_text _builder_version=&#8221;3.22.5&#8243;]<\/p>\n<p><em>Pieces<\/em> is an orignial track by Chris Oday.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=&#8221;0px|||||&#8221; _builder_version=&#8221;3.22.3&#8243;][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.0.47&#8243;][et_pb_text _builder_version=&#8221;3.22.5&#8243; text_font=&#8221;|300|||||||&#8221;]<\/p>\n<p>One of the originals he played at the show, <em>Pieces<\/em>, took one of his own romantic experiences and broadened it to tell a wider story, Oday says.<\/p>\n<p>\u201cThe girl who I was with at the time, she was the template of the song,\u201d he says. \u201cbut &#8230; I think about my mom when I sing that song or my brother. It&#8217;s any kind of love, really.<\/p>\n<p>He is still early in his growth as a musician, though, and says he hasn\u2019t found his voice yet.<\/p>\n<p>\u201cWhat\u2019s my sound?\u201d he asked himself quietly. \u201cI don\u2019t know.\u201d<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.22.3&#8243;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.0.47&#8243;][et_pb_divider color=&#8221;#000000&#8243; divider_weight=&#8221;2px&#8221; _builder_version=&#8221;3.21&#8243; height=&#8221;0px&#8221; custom_margin=&#8221;14px||14px||true&#8221;][\/et_pb_divider][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.22.3&#8243;][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.0.47&#8243;][et_pb_text _builder_version=&#8221;3.22.5&#8243; text_font=&#8221;|300|||||||&#8221;]<\/p>\n<p>The Toronto Sound is a varied piece of culture.<\/p>\n<p>Oday is just one of several examples of that very variety.<\/p>\n<p>The seemingly infinite combinations of culture, musical influences and locations have made the sound into something much bigger than any one label or definition and has given it a wider reach than one might expect from the music emanating from a single city.<\/p>\n<p>So much so that Erin Ashley thinks the city is a bit of a workhorse. Save for a few pockets in Montreal and Vancouver, she says, Toronto is the global face of black music for the country.<\/p>\n<p>\u201cWe don&#8217;t have all of Canada pulling the same weight when it comes to this music,\u201d says Ashley. But while there\u2019s just one city \u201ctrying to do God\u2019s work for everybody,\u201d the sound of black music \u2014 as prolific as it may be \u2014 is still struggling for a lack of, well, everything, in her view.<\/p>\n<p>\u201cThere&#8217;s definitely not enough money in there, there&#8217;s not enough opportunities, there&#8217;s not enough space, there&#8217;s not enough radio, there&#8217;s not enough television. There&#8217;s just not enough of anything to support a viable and successful infrastructure for rap and R&amp;B in this country.\u201d<\/p>\n<p>It\u2019s a disheartening picture in some ways. There is a distinct contrast between the level of global clout and influence black music from Toronto has managed to develop and the relative lack of space and support of black music within the city. There is a disconnect between the music\u2019s impact and recognition that some say stems from prejudice towards black people.<\/p>\n<p>While David Cox thinks that there\u2019s a wealth of talent in the city, he still believes race plays a big role in holding back black artists.<\/p>\n<p>\u201cI&#8217;d be dumb if I didn&#8217;t say that it feels sometimes there&#8217;s a level of racism when you look at certain things in the industry\u201d he says. \u201cSometimes perception can feel like the white artists are getting through quicker than the black artists.\u201d<\/p>\n<p>For Campbell, there\u2019s no question about it. He said that the barriers black artists face in Toronto are a result of a conscious attempt by a largely white music industry to stifle black creativity by ignoring its value. \u201cPeople will recognize that this is the particular genius that we bring to this side of the world,\u201d he says, and that recognition would disprove, in part, the notion of black inferiority.<\/p>\n<p>But despite the struggles, black music in Toronto has made itself the city\u2019s sound. It may no longer be marked by moody, darkened production, but instead the eclectic mix of cultures and interests within the black population has given the music a lot to work with when it comes to things like style, genre and impact.<\/p>\n<p>It\u2019s the creative diversity of music makers like Manswell, Oday, Carimbocas and Letang, to name a small few, that encapsulate the breadth and range of the city\u2019s sound and its expanding effort to solidify its mark on the global music scene.<\/p>\n<p>It\u2019s important to do so, Cox says, because Toronto\u2019s black talent has a sound worth hearing that is larger than the few greats that have made it out of the city into the mainstream. But the city\u2019s black artists need the financial and industry backing, promotion, outlets and public visibility to match their talent. With that they can succeed.<\/p>\n<p>\u201cIt doesn&#8217;t help us if Drake is an anomaly,\u201d says Cox.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.22.3&#8243; custom_padding=&#8221;50px|0px|50.5313px|0px|false|false&#8221;][et_pb_row _builder_version=&#8221;3.22.3&#8243;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.0.47&#8243;][et_pb_button button_url=&#8221;https:\/\/cusjc.ca\/mrp\/blacknoise\/part-4-the-scale\/&#8221; button_text=&#8221;The Scale&#8221; button_alignment=&#8221;left&#8221; _builder_version=&#8221;3.22.5&#8243; custom_button=&#8221;on&#8221; button_font=&#8221;||||||||&#8221; button_icon=&#8221;%%35%%&#8221; button_icon_placement=&#8221;left&#8221; animation_style=&#8221;fade&#8221;][\/et_pb_button][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.0.47&#8243;][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As a student in the genetics program at Western University, Chris Oday says he wasn\u2019t the best when it came to the hands-on work. \u201cI would do experiments badly,\u201d he says. \u201cI was like a liability in the lab.\u201d But at an R&amp;B showcase at The Baby G on Dundas Street in Toronto, Oday demonstrated [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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